My practice interrogates the weight of displacement through the lens of hauntology, I investigates the presence of the past as an active, structural force mapping how memory persists within the contemporary moment. I mobilize the visual language of Gabbeh weavings as ancestral motifs for navigating this space.
In this framework, My figures act as ciphers rather than individual portraits, archetypes of a lost geography. These fragmented forms float within the linen’s structure, balanced between the order of the geometric boundaries.